Choppy Waters

DSC01405I’ve been on quite a roll with my memoir writing lately. But suddenly I’m in one of those places, where to move forward even more, means that I must build up my courage and reenter places and times that were cruel and heartbreaking. I’ve been in this situation numerous times in the past as I’ve gone back in time, processing the occasions that brought me to the place on which I stand today. It means remembering and feeling the way I did when both good and horrible things were happening in my life.

The good parts are no problem. Who wouldn’t be willing to revisit the births of their children? As physically painful as those happy occasions can be, they are times of celebration, bringing new life into the world and watching as tiny copies of ourselves take wing and find their own way.

It’s the heart wrenching times that can send me into hurtful funks. But I realize that in order to go where I’m headed, I must enter a roiling sea of emotions and make my way to the opposite shore, where I no longer have to hide from the things that made my life a living hell at times..

By revisiting those dark memories and arriving on the other side, I stand taller, unafraid, and grateful for the chance to move along into my new life. It is a rebirth in which I release myself from the tangle of horrifying events that left me stranded; a broken, needy person.

When I  enter the dark, I find the light and recognize where I am, knowing that I am not all that has happened to me. It is who I am becoming now that is important. It allows me to live each day with joy and forgiveness. It’s a place I never thought I’d find and I’m very grateful to have arrived here.

So this week, I’ll probably spend a few days procrastinating.  I’ll sharpen pencils, clean up the huge mess on my desk, and feel slightly depressed. I’ll listen to my inner critic who seems to think I’m useless and a horrible writer.  When I get tired of  her ranting about how useless I am, I’ll don my Super Woman cape, hold my breath and jump headlong into the mess of living.  I’ll arrive on the other shore with much less baggage, watching her as she tries to catch up with me, rowing a small, leaky boat across the choppy sea.  She’ll eventually make it and will try to torture me with her presence once again. But she’ll still be carrying her oars and hauling the little boat that holds all of her heavy stuff, behind her. I will be freshly bathed and ready to dive into the next waves that roll my way.  She’ll be screaming at me as I go, but I’ll reemerge on the other side once again, even lighter than I was before.

Picking And Choosing

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Acrylic on Paper, Untitled, © Joan Z. Rough

Heaven and hell are not some places I’m going to go to later on.  Heaven and hell are here, right now, and I create them for myself with my choices.

Hae Doh Gary Schwocho
Beneath Belief

Driving in Ireland is quite frightening for me. It’s one of those places where you drive on the left rather than on the right side of the road as we do here in America. It can also be very difficult to figure out where I’m going. I’m not always good at reading maps. When I reach a crossroads there are usually road signs pointing to the nearest village, but more often than not, the signs may have been spun around by the wind and I can easily be lead astray. Many an hour has been taken up in my travels on that magical Emerald Isle, backtracking … trying to find my way to where I’m supposed to be. Fortunately it’s always a beautiful drive along the way.

And so it is with life. Crossroads are always in front of me and road signs are rare, if they exist at all. One minute I’m in a state of bliss. The next moment can take me on the most terrifying journey I’ve ever imagined. Taking one road over another can sometimes make a big difference. It’s always a hit or miss situation. Though I may get to my destination in the end, one way may be full of boulders and potholes, while the other way may be a straight shot on a newly paved surface.

I try to follow my intuition most of the time. But I’m not perfect at it in any sense of the word. Moving to Virginia from Vermont was one of the best choices I ever made. Up north I felt at the end of my rope. I felt I had seen every horizon that existed. I didn’t enjoy the part every winter when the snow was deep, the winds would howl, and I’d get very depressed. I suffered from Seasonal Affective Disorder, a problem brought on by lack of enough hours of natural daylight during the shortest days of the year.

Here, in Virginia, the road has indeed been tough at times.  Though it was especially hard to move, my world suddenly opened up to new possibilities.

And talk about making choices … we’re close to Washington, DC, where things change or not, depending on how the Senate or the House are feeling on any given day. But right here in Charlottesville there are more educational possibilities at my fingertips and a much more diverse community than I found up north, close to the Canadian border.

The weather here is most agreeable until summer comes along and cooks me with its heat and humidity. I’ve been here for 35 years, and I’m finally getting a bit used to it. Gone are the days of my winter depressions. The only weather bit that sometimes gets to me are summer heat waves when going outside is torture. But summer here is much shorter than winter in Vermont, so less suffering.

Pick and Choose

Which to choose?

But it’s somehow the day-to-day choices that don’t seem to have a great impact on my life that get me in trouble … placing me on the hot seat within spitting distance of hell. Simple choices, like what to eat when I’m feeling I need a bit of energy. Will it be protein or sugar?  Usually it’s sugar. Should I do my hour of exercise in the morning when I have more energy? Or can I make myself do it at four PM when when I have some free time?  If it’s not done by noon, it won’t happen at all.

And so it goes. There are always questions to be answered and choices to make.  Should I hang out with Louise, even though she sucks all of my energy away? And exactly why don’t I tell Steve that I don’t want to see him any more?

When I do nothing about the things that really bother me and just let them be, no matter how much they hurt, I am making a choice. Most often doing nothing leads to the stress and anxiety I’ve already been suffering from. And because I’m afraid of what might happen if I don’t call Louise and invite her to lunch, or tell Steve, that I don’t love him, nothing changes. That is the kind of the choice that will most likely lead me to hell right here and now. The deed not done, is done.

But if I let go and decide not to invite Louise to fill me with her doom and gloom over a healthy salad, or tell Steve the truth about how I feel, there are also consequences. Those two people will be gone from my life and maybe I will miss them. Maybe I won’t be able to find another guy that is attractive to me, and I to him. Maybe there won’t be another Louise to whom I can tell my deepest, darkest secrets. But then, just maybe, I’ll be happier and feel free to go about my life the way I choose to.

Making choices always has consequences. Some are good. And some might be bad … at least for a while. Making choices means making changes in what fits in my life and what doesn’t. Maybe I’ll be lonely for a little while until I find just the right guy. But if I keep hanging on to someone who doesn’t naturally make me want to sing and dance with him, I won’t be happy ever.

When decision times come along, I always try to ask myself what the consequences will be. If I remain where I am, will I be happier or does the alternative have more promise?  Yes, it’s hard, but without change where would I be?

How about you? Are choices hard for you to make? How do you handle those monumental crossroads? What helps to move you along and out of the reaches of hell?

 

Unplugging Blocks With Insight Dialogue Practice

IMG_1135There’s a lot going on at the Rough House these days.  Along with trying to keep some sort of social life in tact and weeding the garden, the launch of my new website took much of my time. I felt anxious about getting it up, feeling I’d never understand the technological stuff behind it.  Thank goodness I had lots of help.

I’ve also been cranking away on my memoir. Most of the time I have a clear view of the road ahead but occasionally I get lost, winding down picturesque side streets, looking for the perfect beginning or ending for a story I’m particularly keen on. And when I write about the tough stuff, like my Mother’s last years of life, sometimes a thunderstorm is set off in my brain and I need to take a break.

In the past when that’s happened, I sat around bemoaning the fact that I didn’t feel like writing or revisiting the past. I’m a very happy person right now, living a tranquil life, and though I’ve dealt with most of my s%#t, I can sometimes find it uncomfortable to go back to a time that was particularly hard for me. But you can bet that I’ve always learned something new about myself in the process of visiting those dark days.

That’s what happened last week when I was trying to complete a chapter on the dynamics of my family of origin. I sat in front of the screen, rereading what I had already written. I couldn’t find a place to jump into a new thought or paragraph. And I was unable to find words to describe how I felt when I thought my world was falling apart, bit by tiny bit. All I wanted to do was take a nap, read a book or see a movie that would make me laugh or inspire me to go off on some new adventure to a place I’ve never been before.

So instead of sitting around fighting my lack of written words, I took action.  I went to see the movie, Francis Ha, about a young woman trying to figure out where in the world she belonged and with whom.  It was funny, and occasionally a bit depressing. But it was also about the serendipity of life and provided me with something I needed to be reminded of … that Francis would just have to trust that she would eventually find her path, by being open to whatever came her way. And so it is with me. This is a lesson that I often forget, as I try to control everything around me.

This past weekend, I did what felt like a spa weekend to me.  No, I didn’t get a facial or a massage or a pedicure.  I went to a one day Insight Dialogue Retreat taught by one of my favorite teachers who lives right here in Central Virginia, Sharon Beckman Brindley.

Insight Dialogue is a practice developed by Gregory Kramer, co-founder and president of the Metta Foundation, and author of INSIGHT DIALOGUE, The Interpersonal Path to Freedom. Sharon has studied with him. And this was my fourth one-day retreat with her.

If you go to the Foundation website you’ll read that, “Insight Dialogue is an interpersonal meditation practice. It brings the mindfulness and tranquility of silent meditation directly into our experience with other people. As humans, we are relational beings; as we begin to wake up, clarity and freedom can illuminate our relationships with others.”

And though it draws upon traditional Buddhist wisdom, it is not necessarily a Buddhist practice. People of any faith and belief system would find it useful in building more meaningful relationships with the people in their lives.

During Saturday’s retreat I partnered with another participant; someone I didn’t know well or at all. We sat facing each other, and with eyes closed, were led in a guided meditation, concentrating on our breath, the way our bodies felt, relaxing, pausing, and opening to the process. We were then given five or so minutes to silently contemplate our own generosity, something some of us rarely speak about because we’ve been taught that publicly showing that we are generous is bragging.

When the bell rang announcing the end of the contemplation, we opened our eyes. One of us became the speaker and the other became the listener. The speaker’s job was to tell the listener about his/or her generosity or lack thereof, pausing, relaxing and regrouping when the body felt a sudden tightness or discomfort.  The listener was to listen deeply without judgment to what was being said, noticing how her body was reacting. The roles would then be reversed. Further discussion can follow with the partners telling each other how it felt to talk about themselves and their kindness.

In the second half of the day we partnered with new people, this time working in groups of three. We continued our contemplation, this time about our virtues, another topic most of us rarely speak of. It was a freeing experience, especially for those of us who haven’t believed we have much goodness within us.

At the end of the day, we spoke to the entire group about what we had learned about ourselves and what new thoughts came our way. I can’t speak for everyone, but I left feeling relaxed and pampered.  What could possibly be better than being listened to deeply, without judgment.

During the retreat I came to the conclusion that this tweaking this practice would be helpful in my writing process, especially when I feel blocked and unable to forge ahead.  In taking a few minutes to relax and have an inner dialogue with myself instead of another person, concerning the difficulty of the situation I’m writing about, I’m now finding words, where  none existed before.

The weekend was topped off on Sunday by an hour and a half of Restorative Yoga, taught by another gifted instructor, Christine Davis. For me it was a perfect weekend and one I hope I’ll be able to participate in again sometime soon.

What about you? How would you spend a perfect weekend?

Memoir: Two You’ll Love

DSC01793“Through my identification with another girl who could write what I couldn’t begin to think, I discovered a way to break out of the socialized story into something else, something new … my own voice.  I began to see how the story that gets one person through offers a map that gets more of us through. And when we reveal details that we think are excruciatingly personal, we discover the universal.” 

Christina Baldwin,
Making Sense of Our Lives Through the Power and Practice of Story.

There is nothing like reading about another person’s journey through life to get you thinking about your own. In the last couple of months I’ve been reading memoirs as a way to nourish myself as I make my way putting my own story on paper.

I  read memoir to learn how others navigate the slick, shiny surface of a frozen pond, the choppy waters of a summer storm, and the deadly tornadoes of a desperate mind.  I take heart that I am not alone and that others have tasted similar sorrows and the same joys that I have. By immersing myself in another’s personal story, I discover new ways of loving my own life and being comfortable in a challenging world.

Two memoirs that I’ve recently read and that stand out for me are, Wild, From Lost to Found on the Pacific Crest Trail, by Cheryl Strayed, and Don’t Call Me Mother, A Daughter’s Journey from Abandonment to Forgiveness, by Linda Joy Myers.  Both are greatly influencing me as I work my way through reams of blank paper, telling my own unique story.

These two stories are as different as night and day, but what they have in common are mothers, and individual journeys through grief and acceptance of loss, during which both authors discover themselves and their own power to give voice to who they were and have become.

In both memoirs, brutal honesty and courage rule out what could be dark, lifeless memoirs about victims of circumstance. But these are inspirational as well as universal and healing. Not all of us can take on the wilderness as Strayed did to find herself, or the stubborn revisiting of the past and family that Myers put herself through. But through them we can all find our own ways to bring our stories to life, finally living in peace and acceptance of where we’ve been.

In her story, Strayed, revisions her life and losses as she limps her way along a strenuous wilderness trail, finding wholeness in her bruised and battered body.  Myer’s narrative follows her from abandonment to breaking generational patterns of abuse and becoming the mother that she always wanted to have.

Both books were impossible for me to put down and I can easily see myself reading them again as I move along my own path. For those who are interested in stories about personal growth and are written by women who found their way past major challenges, I recommend them highly.

Truth Or Consequences In Writing Memoir

IMG_0687“I was sitting at a beach with my notebook, and I’m thinking about how to get back into [writing] and what matters to me, and I just sort of self-destructed at Brothers & Sisters. I had written about personal events that implicated other people in some way, that I hadn’t taken into account the consequences, and I found myself very much like the character in my play … a writer who is a dangerous creature.”

“And I had a note to myself, ‘play about daughter of a famous family who writes a book about her growing up in this family,’ something like that; ‘the danger of telling the truth that turns out to be a lie.’”  — Jon Robin Baitz, playwright

This past weekend Bill and I went up to the Arena Stage in Washington, DC to see a show.  Every year we buy a half series of season matinée tickets, jump in the car and make the two and a half hour trip up and back in one day.  It’s a great way to get out of Dodge for a short period of time, cleansing the mind of huge and trivial pursuits, and giving us a taste of city sophistication. Though Charlottesville is a pretty sophisticated place it doesn’t hold a candle to being in the capital, where like it or not, it all happens, good, bad and indifferent.

The only persons who know where we are and our cell phone numbers are family members and whoever is looking after our dogs and cat.  And we don’t usually hear from any of them. The only huge drawback is the trip itself, which involves sitting in the car and the theatre for about eight hours in one day.  Not my favorite thing to do, especially if the show doesn’t grab me, which sometimes happens.  My body gets stuck in its seated position and as the years go by it gets harder and harder to get my muscles to get myself upright and walking again. If the theatrical production we see doesn’t stimulate my mind, my entire body will start asking questions like, “Why do you insist upon doing this to me?  Don’t you know that the more you sit, the shorter our life span will be?”

This past year has been a fairly good season for us in which we saw, Pullman Porter Blues (great music, so-so otherwise), Metamorphosis, and Good People, both stellar in almost every way.  Should you want to know more about them go to Bill’s blog, at View In The Dark, for his reviews and his interesting theatre chatter.

But in my mind, the best this year is the last of our series, Other Desert Cities, by Jon Robin Baitz, who created Brothers & Sisters for ABC.  And if truth were told I wouldn’t mind seeing it again and often, and I think I’ll even read it.  A very rare thing for me.

Set in the living room of the well-connected Wyeth family, who live in the desert community of Palm Springs, this family drama caught my attention for it’s references to writing memoir and truth.  Something many of us who are involved in the genre of memoir deal with every day as we put pen to paper. In this theatrical production, daughter, Brooke, comes home for the holidays for the first time in six years. She brings with her the manuscript of a book she has just sold and will soon be on bookstore shelves.

Intended to be a novel, her story turns into a memoir during the writing process, as she deals with the suicide of her brother, with whom she was very close.  Her parents, old friends of Nancy and Ronald Reagan, and the darlings of Republican politicians, far and wide, plead with her to wait to publish the book until after their deaths, claiming the consequences would damage too many lives.

I won’t go any further in telling the story and the secret that eventually comes out, as I hope all of my memoir writing friends and everyone else for that matter, will go out and see this heart-wrenching drama when you have a chance.  It was nominated for a Pulitzer Prize for Drama in 2012, and will hopefully continue to make its rounds in regional theatres across the country.