Green like the grass
A ribbon of snake slithers
Through thickets of meadow
Hunting for field mice
jzr
This month is National Poetry Month. When I moved here to Charlottesville, back in 1985, I had no idea what was in store for me. If you had told me I’d be writing and submitting my poetry to various journals in the near future I’d have said that you are the looniest person on earth.
As a young person, my history with poetry reading and therefore writing, was nonexistent. In high school when it came to reading poetry I was always told how to interpret a poet’s words. I was shy and even though I continually wanted to raise my hand and say, “No. I think what Mr. Frost means … ,” I kept it to myself. There was no discussion. It was simply, “This is what Mr. Frost said, this is what it means, and you’d better get it right on your midterm exam.” As a result I was bored with and hated anything in verse with a passion. For me it was, “Eek! Poetry? Run for the hills!” I felt stupid and lost all interest in it for the time being.
So, what made me sign-up for an evening poetry writing class in the University of Virginia’s Continuing Education Program? I was much older of course, in my early 40’s, married to a theatre man, and a fabulous teacher. I came to know that life experience beyond high school and college for that matter, is worth more than any graduate degree. Besides life’s usual day to day adventures, we often talked about writing and spent a goodly amount of time in New York going to shows. I came away loving it all, including Shakespeare, another one of my early aversions. My first encounter with a poet was way back in my late twenties when I met Pulitzer Prize winner, Galway Kinnell, at a small dinner party in rural Vermont. I’d obviously moved up in the world, leaving my ignorant early adulthood behind, able to talk about poetry, plays, novels, and works of non-fiction.
And I have always loved to read. I love words and how writers use them, gifting their readers with images and understandings of worlds beyond what they actually see in front of them. For me writing is very much akin to painting. Instead of using pigments, writers use words to build scenes in which all of senses react, as they might to peaceful landscapes or cityscapes, captured on canvas.
Already immersed in photography and painting I wanted to expand the way I express myself and what I believe to be important. Instead of using abstraction as I was in my visual work, words were more concrete. They brought me closer than ever to creating a mood or a scene that spoke to all parts of the brain, bringing the reader closer to what I am trying to get across.
I wrote the following in 1991, describing the difficulty I sometimes feel when I have the need to write.
Words
Push
Through
Spreading
Fissures
I force
Them back
Repress
Meaning
Sounds
Dismiss them
As inadequate
Already said
Yet they must
Begin somewhere
As if there is
A place to start
Here on this line
Reaching those
Who would hear
What I have to says
jzr