Books And Words As Containers

DSCF0414“If it is a human thing to do to put something you want, because it’s useful, edible, or beautiful, into a bag, or a basket, or a bit of rolled bark or leaf, or a net woven of your own hair, or what have you, and then take it home with you, home being another, larger kind of pouch or bag, a container for people, and then later on you take it out and eat it or share it or store it up for winter in a solider container or put it in the medicine bundle or the shrine or the museum, the holy place, the area that contains what is sacred, and then the next day you probably do much the same again—if to do that is human, if that’s what it takes, then I am a human being after all. Fully, freely, gladly, for the first time….

“[T]he proper fitting shape of the novel might be that of a sack, a bag. A book holds words. Words hold things. They bear meanings. A novel is a medicine bundle, holding things in a particular, powerful relation to one another and to us.” — Ursula K. Le Guin

Today not only marks the first day of spring, but also the opening of the 19th annual Virginia Festival Of The Book, where writers, books and words of all genres are shared and honored as containers of life.

On Burning My Journals

A  Journal collage and some writing.

A Journal collage and some writing.

When we decided to move from our house on the banks of the South Fork Rivanna River Reservoir almost three years ago, I was in a hurry to get out and move into a smaller place in town, rather than out in the country. We were in the midst of a cold season that was very much like a Vermont winter, with two major snowstorms and lots of cold. The first storm brought three feet of snow and the second delivered two more.  We lived on a private road and had to hire somebody to plow our road and the driveway.  I was stuck at home a lot that winter and had a serious case of Cabin Fever, which usually means depression, anxiety, and a nasty temper. Being cooped up in the house where my mother had lived with us for six and a half years, brought back the many sad and unspeakable memories I’d gathered during her time with us. All I wanted was out.

Once March came and we found the house in town that we now live in, we put the river house on the market. I began the hard work of packing up what we wanted to keep and finding homes for the rest of the stuff we would have no room for in the new house … one half the size of the one we were leaving. Hard decisions had to be made. We still had many of Mom’s belongings … things I hid in closets so that I couldn’t see them … things that reminded me of the trauma of watching her as she slowly died of lung cancer and old age.

I hadn’t yet been able to deal with all that, but clearly if I was going to move I’d finally have to put on my big girl panties and make some grownup decisions. It was much easier than I thought it would be, but then there was my studio and all of the paintings, photographs and the artist materials that I had easily stored in the river house but now had no room for in the new one.  I couldn’t decide what to do with it all.  Of course I would keep my finished work, but I was in a rush, not thinking clearly, and thought I’d just give the rest away and start over again.

The final straw that broke the camel’s back were the number of large boxes already filled with the journals I’d been keeping since I began writing them in the 80’s. I threw up my hands and felt I had to get rid of them. It was all stuff I didn’t remember writing and considered most of it, if not all of it, to be the worst writing in the world. Not only were the journals terrible to read because of my poor grammar, misspelling and the boredom rating I gave them, there were things I’d written about that I didn’t want anyone else to read, ever. I decided I’d burn them all, along with the past in the old wood stove we kept in the basement.

The day before I planned to do the deed, I was swinging back and forth between “should I or shouldn’t I burn my work.”  There were a number of paintings as well that I’d thought I’d include in the blaze, but I kept hearing a little voice in the background repeating constantly: “You’ll be sorry.”

The next morning I called my daughter to ask her opinion of what I was planning. She roared over the phone that I must not do it.  And when I finally told Bill what I had in mind, he too was of the opinion that I shouldn’t burn anything. He promised that we would rent a storage room where I could keep my artwork, boxes of journals, artist supplies and anything else I wasn’t yet sure I wanted to part with, for as long as I needed to.

A box of my journals.

A box of my journals.

Over the past few months I’ve been rereading through many of those journals as I sit and put my memoir together. They come in very handy for filling in the blanks that show up in my memory.  And I’m finding them surprisingly fun to read, despite my grammar usage and spelling mistakes. I’m so very grateful that my conscience, my daughter, and my husband, encouraged me to keep them instead of burning them, flushing them down the toilet, or any of the other juvenile things I thought of doing at the time.

Have you ever considered destroying your writings or your artwork? If you do it, know that one day you might be very angry with yourself!

Writing And Trauma

IMG_0070“Through writing, we change our relationship to trauma, for we gain confidence in ourselves and in our ability to handle life’s difficulties.  We come to feel that our lives are coherent rather than chaotic.  We see ourselves as able to solve problems rather than as beset by problems.  We enjoy a heightened sense of self.  We become more optimistic.  We recast our recovery from trauma as something we can accomplish rather than seeing our ordeal as something to be passively borne.  Writing supplants our feelings of hopelessness, helplessness, and victimization about a traumatic event.”

Louise DeSalvo, Writing As A Way of Healing

Silence?

DSCF0627“Is reading silent in any sensible understanding of that word? Does it deepen the silence around us or break it up? When we read are we listening to the author, conversing with the author, or are we looking more directly into the author’s mind, seeing the author’s thoughts, rather than hearing her voice? How might one define silence in relation to the written, as opposed to the spoken, word?”

Sara Maitland

Making Progress

DSCF0295Yikes! Yesterday was the first day of February. I set a deadline to finish a draft of my memoir by September first. I don’t know where last month’s thirty-one days went. I swear it was just yesterday that I welcomed in the New Year with excitement. My head was filled with ideas. I jotted down notes every time a new one came along and began getting out of bed at six-fifteen every morning so that I could walk the dog, get some exercise in, and have breakfast before plunging into a two-hour write.

I set of goal of writing for at least twelve hours a week. It doesn’t sound like much for a serious writer, but that time allotment does not include reading other blogs about writing, checking email, wasting time on Facebook, meeting every two weeks with my writing coach, or keeping this blog up to date.

I also decided I would no longer allow myself to get fixed like glue to the television screen every night after the evening news, even if there is something “good” on. Bill and I have gotten into the habit of watching House Hunters International on HGTV, every evening at seven.  It’s the cheapest way to see the world and somehow very addictive for two old farts like us.

Instead, most nights, I’ve been taking that hour to try to make a dent in the piles of books I have sitting by my bedside and in the living room.  I figure a writer needs to read in order to write. But if I wait, like I usually do until I get into bed, I’ll be reading the same damned paragraph every night for the next three months. Don’t laugh. It really happens.

So how’s it going?  I’m sorry you asked. I’m completely frustrated, overwhelmed, and every day ask myself, “What the hell do you think you’re doing?”

I LOVE my actual writing time, when there are two hours in a row to go at it without interruption. The morning is best, but in order to keep my aging body from pooping out, there are several sessions of Pilates and yoga to go to several times a week. They meet only in the morning.

And then two weeks ago I signed up for a six-week class with Dan Blank, on building my writers platform.  Oh my goodness.  If I wasn’t already overwhelmed before, I certainly am now.

What was I thinking? Though writing this book is not about making millions of dollars or being on the New York Times bestseller list, I certainly do want at least more than twenty or so people to read my book. And since I will in all likelihood self-publish this very well written gem, I’d best find out how one goes about doing what I think I’m doing. I’ve finished Dan’s first lesson with its homework and am now settling into the second lesson. I put a few drops of Dr. Bach’s Rescue Remedy, on my tongue when the anxiety of, “I have to do what?” kicks in.

Seriously, it’s scary.  I’m a seventy-year-old introvert, who loves to spend her time creating, not selling. Technology gets the best of me, and frankly, I don’t give a fig about social media and all that other stuff I don’t understand.

But rather than begin to sound like my mother, who a lot of my book is about, I’d best not say too much more.

Instead, I will pass on a quote from my daughter, Lisa, who in her latest, Sacred Circle Newsletter, wrote:

“What if there was no such thing as failure?  What if everything was akin to a great big fancy science experiment where the results simply gave you new information and didn’t define who you are? What if the results of your “experiments” changed with the seasons, shifted with your moods, and weren’t necessarily static and permanent?  What if at any time you can choose to change your mind about the direction your “experiments” are going?”

Reading that yesterday helped me to adjust my attitude a bit.  I know I can do just about anything for a little while and since the class is only six weeks long, I’ll experiment and see if this platform building stuff takes hold. By then my anxiety about creating a brand and building relationships with people I don’t even know, will hopefully find a new home.

I must say I am enjoying working with a group of writers who experience the same fears that I do and Dan is fabulous. He has a lot of patience with us and everything he says makes a whole lot of sense.  So I’m sticking with it. I’ll keep on writing as well and work at trying not to be so OCD about getting a draft done by 11:59 PM on September first.

What about you?  What’s causing you to be overwhelmed and filled with anxiety?  How do you deal with it?