On Winning And Losing

Peony #10, © Joan Z. Rough

Truth is best served by recognizing a viewpoint as only a viewpoint, and refraining from taking that extra step of regarding it as true to the exclusion of all other views.  In other words, all views–even correct views–are best held gently, rather than grasped firmly.  

Andrew Olendzki, Blinded by Views

I first picked up a camera in the early eighties.  Afraid of anything technical, I often asked my  husband to take photos for me. Not interested in people photos or huge, magnificent landscapes, I was drawn to the small miracles that nature had to offer in the shape of a lily or a rose.  After being told how easy it would be for me to learn how to use a camera, I took a few workshops and was hooked.

I had a background in painting and was slowly growing weary of the weaving, spinning and natural dying I’d been involved in for years.  I became fascinated by microscopic views of everything, from the powdery wings of a dead butterfly to the patterns found in rock formations.  But most of all I was drawn to flowers.  The closer I could get, the more abstract my photos became. Encouraged by family, friends and other artists, I put together a body of work. To see what would happen, I entered ten of my images into the Virginia Commission for the Arts 1989 Prize for the Visual Arts, in the category of photography.

Day lily #20, © Joan Z. Rough

In the meantime, I had recently moved to Charlottesville in 1985, which has always been a mecca for artists of every ilk, from writers, to painters, and theatre people.  In this town there is a festival for almost every genre of art.  In November we have the Virginia Film Festival, in March there is the Festival of the Book, and in May, the folks who put together the LOOK3 Festival of the Photograph, hang the work of photographers from all over the country in local galleries and outdoors, in the trees on the Downtown Mall.

As a newbie in town I went about trying to become a part of the art community.  I am an introvert and it was difficult. Afraid of my own shadow, I’d grit my teeth and go to various gatherings to meet other artists and to see what was happening. I was shy and when I opened my mouth to speak, the words often spilled out in a garble of nonsense that even I couldn’t understand.  I felt that my work was unworthy and that I had little to offer the community. Rather than push myself forward I kept myself in the shadows, being grateful for any bit of encouragement.

One evening at a gallery opening, I met an elderly man known locally for his close-up photography of insects and plants.  We started talking and he invited Bill and I to his home to see his work.  I brought some of my own images along to see if he could give me some feedback. He and his wife were friendly enough, serving us a bold red wine and a few nibbles.  They lived in a lovely home tucked into the woods and I felt that I had finally made a friend.  He showed us his Cibachrome prints, all beautiful. There was a shot of a honeybee gathering pollen, close-ups of a variety of beetles and images of flowers. All were perfect specimen shots, ideal for a coffee-table book about the garden or as illustrations in a guide to insects.  He also proudly showed us his massive collection of romance novels that he had written under a pen name.

When he asked to see my work, I brought out a dozen or so glossy cibachromes of my flower studies, so very close-up that you might not realize they were flowers. Similar in perspective to Georgia O’keeffe’s paintings, some viewers described them as resembling water colors.  There were blurry areas and sharply focused lines of the edge of a flower petal or the inner landscape of a daylily surrounded by a pool of pure, sensual color. The first words out of his mouth were, “These are not photographs. They are an abomination.”

As I remember, the conversation went down hill from there and quickly downing the remains of my wine we made a hasty exit.  Although I was somewhat used to rejections of my work as a weaver and fiber artist, I had never had anyone make a comment about my work before in that tone or in those words.  All of the people who had critiqued my visual work in the past had given me constructive suggestions and ideas on how to make my work better.  This man brought to mind my father who would often berate me for not following directions or listening to how things are to be done. This was the first time I had ever been trashed by a stranger. I was devastated, in tears and ready to roll a huge boulder to the entrance of my cave where I would hide and never come out into the light of day again.

Iris #24, © Joan Z. Rough

It took me a while to lick my oozing wound and to bring about some healing. But a few weeks later, a letter arrived from the Virginia Commission for the Arts, saying that I had been given an Honorary Mention for the 1989 Virginia Prize for Photography, by Edward Sherman, of the well-known Benin Gallery, in New York City.

Everything changed.  I went on to become a member at the McGuffey Art Center, here in Charlottesville and those photos, along with other bodies of my work,  went on to be shown individually and in one-person exhibitions in museums and galleries across the country.  And it wasn’t too many months before the phone rang, and the wife of the old guy who had trashed my work, asked me for my advise on getting her husband’s work to the attention of people outside of the community.

Despite occasionally feeling unworthy of being an artist and a writer, I’ve worked hard at not letting the views of others take me down. They are only opinions after all and if I let that happen, I would lose my very being. It’s been a hard lesson, but one of the most crucial if I am to do the work my heart brings to me.

How do you handle criticism and the views of others?  Have you ever been in a similar situation?

The Gift

Encaustic painting, 6 1/4″ x 7 1/2″, September, 2012

I‘ve been given a much-needed gift. Sometimes when you give a gift to someone, it also becomes a gift to others. Today I’m feeling like one of the others. I’ve been away, am tired, have missed yoga and really wanted there to be a class today. I’m still in catch up mode after my return last Tuesday from Vermont and have been feeling pinched for time, rushed and growling a lot.

Yoga class was cancelled this morning because my teacher is away.  She is up in New York City where she gifted her son who just graduated from high school to a weekend on the town.  In late August he’ll be going off to college, and I’m sure his single mom will be missing the dickens out of him when he goes off into the big, wide world.  She’ll become an empty-nester and oh, I remember those days.

There is also the fact that I’m hating that it’s an election year. The phone rings with political updates that are recorded and I’m unable to verbally attack those who are bothering me in the privacy of my own home even though I’ve told them in the past to put me on the do not call list. And as November nears, the phone will be ringing off the hook. Oh yes, I have Caller ID but someone has figured out ways to get me to pick up the phone without saying who they are.  I don’t watch a lot of TV but whenever I turn it on to hear a little bit of news, the air waves are flooded with political attack ads and pols expressing their disdain for all of the political actions that the presidential candidates are taking.  Pretty soon when President Obama brushes his pearly whites, that too will become a political act.  As Rodney King, who sadly died this weekend, once asked, “ Can’t we just get along?”

Then there is the firing of Teresa Sullivan last week, President of the University of Virginia, which as the crow flies is maybe a tenth of a mile from my home.  The way in which Dr. Sullivan, a brilliant, enormously popular and upstanding woman has been treated by the Board of Governors of the University is horrific. As far as I’m concerned this is one of the most heinous acts an institution of higher learning has ever taken. I’ll not go into the details here but if you want to know about it, just check it out on face book, twitter, or google.  It’s been on the front pages of the Washington Post and I pray it goes viral to every newspaper and television station in the country.

Last night after a weekend visit from a very dear friend, which I enjoyed immensely, I kind of lost it.  This weeks calendar looks like the list from hell and I’m tired, disgusted and haven’t had time to write.  My muse, sits in the corner, ignored and feeling abandoned. The idea of being able to add to my memoir has flown out the window and now I suddenly have the urge to throw paint at a blank canvas, really hard,  something I haven’t done in way too long. Throwing paint along with writing rants like this always helps to calm my spirit and brings me back to myself.

So Barb, I just want to say a big thank you for the gift of no class today.  It’s given me time I wouldn’t have otherwise had to wake up more slowly, to listen to the rain and the birds singing outside and to write a rant.  Later today I hope to throw some paint, but then again it might have to wait until later in the week. In the mean time, I feel blessed, much better and I hope you had a fantastic visit to the Big Apple.  See you on Friday.

Much love, Joan

A Whirlwind Trip Down Memory Lane

My neices, Julia and Anya.

Last week Bill and I flew up to Vermont to do a tour of our old stomping grounds.  We visited family and friends, made new friends, and revisited homes we once lived in. We spent every minute living in the rush of memories and events that took place over a span of fifteen years. It was a trip I’ll never forget.

Arriving in Burlington, we spent our first evening with my brother Zed, his son Ben, and friend, Terri.  The next morning we had a lovely breakfast with Ben’s sweet mom, Brenda, and then drove south down the Champlain Valley, with spectacular views of the Green Mountains on the left and the Adirondacks on the right. Lake Champlain inserted itself every so often between us and the New York State line. It was startlingly beautiful and I wondered why we had decided to leave this unforgettable landscape. But then I remembered the long winters, heavy snows that blanketed the countryside and the biting cold that once upon a time I found invigorating.

Zed with Mousse, Bill, Ben, and Terri on our first night in Vermont

In Rutland, we turned west toward Killington where I spent my college years waiting on tables and making beds at my parent’s ski lodge. I drove that route five days a week in sun, snow, and subzero temperatures to Castleton State College where I earned a Bachelor of Science degree in elementary education.  Killington is also where Bill and I first met in 1962 when he fell in love with Vermont, bought three and a half acres of land and began building a round, stone ski chalet that was finally finished just before we were married in 1965.

The Round Rough House

Driving up the mountain gave me goose bumps and as we drove into the driveway at the round house, my anxiety over revisiting the past in-person, turned into pure excitement.  We were met at the door by current owners, Wiley and Kay, who moved there from New Orleans, after Katrina destroyed their city and peace of mind.  They, coincidentally, are friends of very old friends of ours, who out of the blue discovered that their New Orleans friends were moving into a house in Vermont built and designed by their Virginia friends. We had a delightful time sitting and reminiscing about the process of acquiring the land and building this one-of-a-kind house that is still known in the area as the Round Rough House. Ralph and Carol, our mutual friends, drove up from Washington, DC to be at this meeting of the new owners and us old owners.

Looking down into the livingroom area.

After a delicious meal we pressed on toward our next destination. But before we left the area we peeked in on the Summit Lodge, built and run by my parents. I thought of Hernando, our gray Sicilian donkey, who wandered about the property and often welcomed guests when they arrived with his large floppy ears pinned back ready to take a nip out of any hand that reached out to him.

Lots of old stories, both good and bad, haunted the drive further west to Quechee where we spent two nights in the lovely Apple Butter Bed and Breakfast. Exhausted and overwhelmed by the pace and intensity of the trip so far, we fell asleep to the rumble of thunder and rain on the roof above our heads.

We headed over to Meriden, New Hampshire, the next morning to spend the day with my nephew Jesse, his new wife, Lisa, and Jesse’s two girls, Anya and Julia, two of the most beautiful little women I’ve ever had the privilege of knowing. They live in my brother Reid’s house that he built years ago in a sunny glade.  I played with five-year-old Anya, pushing her on her new “horsey” swing and tried to get Julia to play. I did get a kiss out of her at one point, but she’s only two and a shy little munchkin.

While he was still alive, Reid often rented out his house to earn some income, while he lived in the old red barn a short distance from the house. It is still filled with his belongings. Jesse invited us inside to see if there was anything we might want as a keepsake. It was the very first time ever that I stepped into that barn and knew for certain that my brother had been a hoarder.  Jesse has done some cleaning up, but much stuff is still where Reid had left it.  Imagine three floors of barn packed to the rooftop with junk of unimaginable quantity. There are bits and pieces of metal, several refrigerators, a basket overflowing with cork floats, a few antiques, several beautiful birdhouses that Reid built and wove from tree limbs, along with notes he wrote to himself on scraps of wood tucked in every nook and cranny.  I was deeply touched and saddened seeing for myself the way my brother had lived. He had been happy at times but underneath there always seemed to be a bed of burning anger, fear and blame.

We met with Amanda, (Anya and Julia’s mom) and her partner, Liz, the next morning over a stack of blueberry pancakes with real maple syrup, then drove north to St. Johnsbury where our kids, Mark and Lisa, were born. We had a reunion with old friends whom we haven’t seen in years.  All teachers, they had come together along with Bill in 1973 to create The Peacham School, an alternative private school for grades 7 through 12.

Our house in Danville.

The following day at our old homestead, Circa 1844, in Danville, the Dowsing Capitol of the World, we soaked in the memories of planting the now huge weeping willow out back and fishing for blue perch in the pond we had dug, now surrounded by a tangle of trees and shrubs. I imagined I heard the sweet sound of bells that my sheep and goats wore around their necks.  There I learned to spin yarn from the fleeces of my flock, dye the yarn with natural dyes, and then weave those fibers into a variety of products I sold at craft fairs. Invited to see the inside of the house as well, I traveled back in time to the winter when we couldn’t see out of the picture window on the north side of the house because the snow was drifted so high that it was almost touching the eaves.

The Pond

Later we returned to Burlington where we flew out early the next morning to return home.  My brother, Zed, had arranged a reception for us where we were introduced to his friends. I was extremely honored by the hospitality and love that we found ourselves surrounded by in every place we visited.

Happy and delighted to see my people, I was also overwhelmed, sad, and missing those who are no longer there. We’d visited Vermont two years ago for Reid’s memorial service, but had only two days. In the midst of moving and a new job for Bill, sadly there was no time to explore the roads we had once traveled.  This trip wasn’t much longer, but as Bill put it on our last day there, “We dotted all of our ‘i’s, crossed all of our ‘t’s and made peace with a segment of our past lives.”

The only remaining willow tree we planted.

Vermont is a very special place.  Those who live there are true Yankees: fiercely independent, highly spirited and able to withstand whatever the climate and the land chooses to throw their way.  Last August when Hurricane Irene raged through the state with torrential rains and flooding, everyone came together to clean up and make things right again. Independent construction companies rushed out to rebuild roads and bridges after the storm without being asked to.  There are still scars remaining but the spirit of the place reigns far above anything still needing to be fixed.

Zed and Mousse.

The Clock

Big Ben

The Timex on my wrist, the old Seth Thomas clock on the wall that rings the hours, and the small, black electronic cube that sits on my nightstand beeping at six AM have been with me always.   They not only denote the hour and the passage of time, they have been the enemy. I have fought with them constantly.

Stop the clock. I’ve run out of time. It’s time to eat, time to sleep, time to feed the dog, pick up the kids. Time is short, too long and are we there yet?  Forever in a hurry, I was constantly running.  But somehow I was always on time or even early getting to the places I was supposed to be.  Why didn’t I have ulcers?

One afternoon while reading a good book and needing to be at an appointment in fifteen minutes, I caved in. Tired of rushing and feeling rebellious I kept on reading even as the clock ticked away.  I finished the chapter, got in the car, and drove to my appointment.  I was only five minutes late but I had been overwhelmed by anxiety on the way, thinking I’d be terribly late.  I didn’t want to inconvenience anyone, my stomach churned filled with a load of worry stones, and I didn’t know what I’d been thinking.

Like a drunk who finally hits bottom and knows that the sauce will kill him soon, I knew that if I kept running the way I did,  it would be the end of me.  I’d crash the car, fall off a cliff and/or my heart would simply quit because it couldn’t keep up. My life was a train wreckwaiting to happen.

Changing my pace has been one of the hardest things I’ve ever done.  But somehow I’ve managed to slow the train, though it can still be easy to fall back into old habits if I’m not careful.  I do still have occasional overly busy days, but if I’m feeling overbooked I reschedule an appointment or two for another day when things aren’t so hectic. I’ve learned to say no to the one more thing that will tip the scale sending me into overwhelm and yes to breathing deeply and taking whole days when I don’t have to go anywhere but stay here and tend to whatever I want and need to do. I love those days the best and manage to get to my writing with time to spare for a nap, to garden, or read.  I still worry about being late once in a while, but I’m also beginning to trust that the clock does sometimes run slow and I’ll arrive in plenty of time without being frazzled.

I wrote this poem back in 1993 in the heat of my war with time.  I’m so grateful that battle is over.

The Clock

A tranquil pool reflects
As only water can
The confection of moon
Star lanterns
Show the way down
To the mouth of a cave

A tattered moth
Hands me her flame
Tells me to wait
Just inside at the edge
For a ferry to deliver me
To the middle of night

Aboard the vessel
The oarsman leers
With eyes that glow
In burning sockets
His mouth overflowing
Knots of squirming eels
I hold the flame closer
Easing my fear
A solitary owl hoots
At the sight of land

I am lifted to shore
By rigid talons
Left on the sand
Where a porcelain clock
Elephant high
Stands guard
Naming the hours
As they race around
An eroding track

The clock strikes twelve
Spilling sleeping cuckoos
Severed hands
Frantic numerals gather momentum
Left without time
Lifting the flame to possibility
I ignite the ticking sky

jzr, 1993

What I Have To Say

The floodgates are straining. They cannot be opened up just a little.  I don’t have the strength to hold them so that only some of the run-off leaks out.  It’s all or nothing. By letting the stream overflow on it’s own, I risk being swept away by the torrent when the gates can longer resist the building pressure of words on the other side. Just a few weeks ago there was a void so deep that I was sure it would never fill again.  Such is the writing life and to be expected, I suppose.

For me it seems to be about satisfaction with life in general.  When the river dried up about a month ago I allowed myself to do other things.  I played, pottered about the house, straightening, neatening, and allowing myself to be at peace with the drought of words. I had time each day to notice the moon and stars as evening slowly overtook my world.  I sat and marveled at the early swelling of flower buds, the unfurling of leaves and a robin chasing his image reflected in the side view mirror of a neighbor’s car.  He was  intent on capturing the heart of the lady robin who appeared to be flirting with him. She disappeared each time he would try reaching out to her. I could feel his frustration growing. Can the desire for a mate and the desire to write be the same?  If it has to do with love, it must be so.

Instead of playing with words, I’ve been planting seedlings in the garden.  A few days ago I planted over three dozen plants: Christmas ferns, bleeding heart, tiny shooting stars, native columbine and Alleghany spurge. They are happily growing in the corner of the yard under blooming dogwoods and forest green hemlocks. Now that corner is aglow with new life, Mr. Robin appears to have found a real Mrs. and they are carrying dried grasses and leaves to a newfound nesting spot.  I’m at my desk writing words.

I’ve come to believe that the muse will never abandon me. We need a break from each other every now and then, like two lovers who go off to travel separate corners of the world.  They return vowing never to leave each other again.  They will of course separate again, but only for a time, because as the old saying goes: “Absence makes the heart grow fonder.”

I wrote the following poem back in 1991 when I was struggling with words and life in general.  Writing it helped me release the pressure building inside my head and my heart.

Words

Push
Through
Spreading
Fissures
I force
Them back
Repress
Meaning
Sounds
Dismiss them
As inadequate
Already said
Yet they must
Begin somewhere
As if there is
A place to start
Here on this line
Reaching those
Who would hear
What I have to say

A few of the plants I put in.