Reid’s Barn, A Hint Of What’s To Come

The front of Reid’s barn, June, 2012. Photo by W.H. Rough

I often mention that I’m working on a memoir when I publish a post here.  I’ve been thinking that it’s time to share a little bit of what I’ve been working on.  The following piece will most likely be included in the final manuscript along with other stories about my brother, Reid and my family.

Reid, in 2006.

It’s a hot and sticky July night. The clock on the nightstand reads 2:15.  I get up to use the bathroom.  Five minutes later, back in bed, I’m more awake than I want to be. I can’t get comfortable and the sleepy, middle-of-the-night brain fog that usually pulls me back into deep sleep is nowhere to be found.  I search my mind, trying to uncover what I’m worried about so that I can tell it to get lost and that I’ll deal with it in the morning. But nothing rises to the surface. I close my eyes, breathe deeply, and pray for sleep to return.

A few minutes later, the deep rumbling of a truck outside on the street, gets my attention.  Our neighborhood, though only blocks from a major road and the University, is always extremely quiet. It’s not a place you’d normally find a big truck beeping it’s way up or down the street during the wee hours.  It’s not trash day and besides, they make their rounds during daylight hours.

When I open my eyes, I’m instantly aware of flashing red lights reflected on the ceiling, giving the room a surreal look. Anxiety begins to flood my core.  I always have an eye or an ear out for danger and am ever more on the alert since I live across the street from a frail, elderly gentleman, in his nineties. I can’t help myself.  I seem to be wired for worry.

Bill stirs. Opening the shutters, we see no activity, except for the disturbing sight of a fire truck parked in front of the house next-door. Its swirling red lights sweep through the night. Several firemen, dressed in full firefighting gear, emerge from the dark, get back in the truck and drive off.  Whatever the emergency was, it’s over.  I go back to bed falling into a restless sleep.

The next morning a call from my neighbors, away for the summer, explains the fire truck mystery. Their security company notified them in the middle of the night that their fire alarm had gone off and that the fire department was on its way to check it out. They found nothing. The alarm had apparently malfunctioned. George tells me the problem will be fixed in the next couple of days and sends apologies for waking up the neighborhood.

Later in the morning, checking my email and Facebook page, I stumble across an alarming post from my nephew’s former wife, and gather that there has been a fire at her ex’s home, but that everyone is okay. That would be the house that my brother, Reid, built and considered home when he was alive.  I try calling Jesse, my nephew, who lives there now, but no one answers the phone. I try to rest in the knowledge that everyone is supposed to be okay.

Jesse finally answers the phone at 9 PM.  Blessedly everyone is fine and the house was never in danger of catching fire. But the story he tells me is hair-raising. It seems that around 2:30 that morning, just about the time Bill and I were up and watching the fire truck outside our window here in Virginia, a thunderstorm went through the area of New Hampshire where he and his new wife are located. The big barn, I always referred to as Reid’s barn, was struck by lightning. Fifteen minutes later, when the fire department arrived to contain the blaze, the barn was fully engulfed in flames.  All that is left is a large, charred patch of ground and a hole, where the barn once stood.  That the fire department was checking for a fire next door to my own home, at the same time that Reid’s barn was burning sent a chill down my spine.

My grandfather’s workbench hidden beneath piles of Reid’s stuff. Photo by W.H. Rough.

Because there was little to no storage space in the house, Jesse and his new wife, Lisa, had stored most, if not all of their belongings in the barn, including clothing, family photographs, books and Jesse’s extensive collection of vinyl records.  All of it was lost, along with the remains of Reid’s things, his art work, several 12 string guitars, some clothing and the carpenter’s workbench our grandfather had built when he came to this country from Poland in 1912.  Lisa and Jesse had just begun putting the finishing touches on several horse stalls on the ground floor for her horses that were due to arrive the following weekend.  Thank goodness they were not yet stabled there.  They would have most likely perished in the fire. Both Lisa and Jesse, feel sad, but that no one was hurt makes all of us feel better and fortunately, the barn and its contents had been insured.

I don’t know when that barn was built, but it was a fixture on the property when Reid bought the place over twenty years ago.  After he built the house and his second wife died, he moved into the barn so that he could rent out the house to bring in some income.  It was there that he lived until 2008, when he was diagnosed with Esophageal Cancer.  He then moved in with his lover, Lee, who took care of him until he died in June of 2010.

Prior to that, on my occasional visits to New England, Reid never invited me into the barn to see where he was living.  Bill had managed an invitation once when he was visiting there alone. He told me that the place was a mess. He described the barn as filled to the rafters with all manner of junk from scrap metal to cork floats that Reid had collected. There was very little room to move about because the stacks of lumber, tools and whatever Reid took a fancy to, just kept piling up. A number of old, dead Volvos were parked in the field next to the barn from which Reid removed parts to keep his ancient, Volvo sedan on the road.  Reid was a hoarder.

He lived in a quasi apartment he put together on the top-level in the barn. There was no running water. A wood stove tucked away in a corner kept the top floor, his living space, warm in the winter.  But in order to get up there, one had to make his way through unmarked passages, past piles of junk and then up a ladder.  After hearing this, my mother, who was by that time living with Bill and I, complained of repetitive nightmares in which the barn caught fire and Reid was unable to escape.

The first time I was ever inside the barn was just a few months ago on a visit I made to Vermont and New Hampshire. I’d last been up there in 2010, for the memorial celebration after Reid died. I’d been planning to make another trip to New England for over a year after that, but all kinds of excuses would present themselves and I’d sigh with relief that I didn’t have to do it just yet.  I apparently wasn’t ready to revisit my past life in Vermont, which was loaded with issues that I knew one day I’d need to address. As I began slowly writing and examining stories about my life for my memoir, I felt I needed to go, but lacked the courage to move forward until this year. Reid’s life and death were among the major items on my list that I needed to revisit.

During his last months, when Reid was very sick, but trying to make the most of his remaining life, Bill and I were moving into a new home.  I was dealing with severe anxiety and depression. Just a year earlier I had discontinued taking Paxil, and was still struggling with the effects of withdrawal. My deep sleep patterns had ended when I began weaning myself off the drug and I had been sleeping for only three hours a night, for almost a year. I was also seeing a therapist who was helping me explore the trauma I’d experienced as a child.  That I was losing my brother, with whom I’d had a deep love/hate relationship, didn’t help.

I was unable to be with him when he died.  The rushed, two-day trip Bill and I made to New Hampshire to celebrate his life was too short a time in which to wrap my head around the fact that I would never see him again.  Between bouts of tears, I walked my way through those two days feeling numb and unable to digest what was happening.  At home again, I blindly dove into each day, getting settled into my new home, and planning my first trip alone in years. Two months later my diagnosis of endometrial cancer sent me reeling.  I had set aside no time to mourn the loss of my brother or to connect with the deep compassion I had once felt for him, but was unable to express during the last year of his life.

Walking into the barn this past June, I was struck with all that I hadn’t known about him. For the first time, I accepted that Reid was a hoarder. Though Family members and friends had repeatedly told me about the way he was living, I couldn’t take it in until I saw it with my own eyes. Though Jesse had already begun getting rid of what Reid had collected, it was impossible not to feel Reid’s presence. I felt as though he had just gone out to do a few chores. There were notes he had left for himself on scraps of wood left over from his various woodworking projects. Lists of things he needed to buy on his next trip to town, to-do lists, and a list of friends and their phone numbers, that he needed to call.  On one shelf sat an unopened jar of mayonnaise, which over the two years since his death, had separated into two parts, a small glob of white solid matter, submerged in a pool of thick yellow oil.  His clothes still hung in a makeshift closet. A collection of tiny rodent bones and arrowheads he had found nearby were displayed in small baskets.  Pieces of his artwork and the whimsical birdcages he built were hung from the walls and rafters.  I was overwhelmed.

After leaving the next day on the next leg of my journey, I realized I had taken no photos of what I saw in the barn and had neglected to take a small memento. I had planned on taking one of his lists written in his big, bold handwriting, feeling that if I kept it in a pocket, I’d be able to connect with him, because for the first time, I understood who he was.

Though my visit to Reid’s barn helped my grieving process, I still find it difficult to comprehend that my brother, Zed, and I are the only remaining members of our family.  It was a family larger than life in so many ways.  The hurt and pain we caused each other has followed me through the years, scars that never completely fade.  The barn is gone, as is Reid and both of my parents, yet I continue searching for the love our family so rarely offered each other. Sometimes I feel terribly alone, wandering through the scene of a crime I will never understand.

I am convinced that the burning of the barn was not just an accidental act of Mother Nature. To me it is more than coincidence that on the exact night, at the exact time that the barn burned to the ground, a fire truck drove its way into my sleep. Within the flashing red lights, I can see Reid, in full rage, casting bolts of lightning with his hammer, breaking the shackles that bound him to his earthly existence. He is now at peace and has also freed me from the myths we created together as we grew into our lives.

Writing My Life

At five, standing in my grandparent’s garden.

When I told a friend a while back that I’m in the process of writing a memoir, she asked me what it was going to write about. I struggled with what to tell her. I wasn’t very clear yet myself, but trying to find words that I thought would serve the purpose, I said, “Well, it’s about my life, how I came to be diagnosed with Post Traumatic Stress Disorder and how I’ve brought peace into my life.”

Sufficing as a fair to middling, but far too general a description, it didn’t answer the deeper questions that had been rolling around in my head when I started the writing. “What am I going to include?  What do I want to say and why do I even want to do this?  Am I up to the challenge of reliving some of the darker moments of my life?”

In my first conversations with myself about writing my life, I didn’t have a clue as to how to start.  So I started with stories as they came to me. I published some here, on this blog.  I wrote the happy stories, avoiding the dark stuff, not ready to spill the beans and their big stink. Slowly, I started allowing the ghosts waiting outside the door into my studio and began digging deeper, becoming more honest with and about myself.

Many have told me that I’ve lived a fascinating life and should get it all down on paper. They told me it would be helpful to others who’ve suffered through undiagnosed PTSD. Many people don’t understand that it can be caused by lesser events than living through a tsunami or being a veteran of a cruel and arduous war.

But my first concern was just getting it all out of my internal storeroom, knowing that once I started getting my shame out, I’d feel lighter and happier. I could downsize my memory bank, just as I was downsizing my belongings and living space. I felt that writing through my struggles, I could begin to put the fragmented pieces of my life back together, reaching a new understanding of who I am and how I got to be me.  I knew it could open up the doors I’ve kept locked for far too long and giving me a new perspective on where I’ve come from.

As I was trying to get started on this project, I was diagnosed with Endometrial cancer, which grows in the lining of the Uterus. I was told by a number of doctors that if one has to have cancer, this is the best kind to have. It’s easily treated, depending of course, on its stage when it’s discovered.  Even so, I was extremely frightened. Cancer is the killer in my family. Heart disease has rarely been an issue. All of my relatives, who have passed on, died of complications and the affects cancer had on their bodies. We’ve had cancer of the lungs, bladder, esophagus, nasal cavity, and colorectal cancer.  I found it disturbing to think that unless I’m run over by a dump truck or die of some other external cause, my life would most probably end in the same kind of suffering that my forebears in death went through.  I did not want that for myself.

Treatment for my cancer was a simple hysterectomy, removing all of my reproductive organs. As long as it would be gone, I didn’t care about the loss of parts of myself. At my age, I wouldn’t be needing them anyway. I now visit my Oncologist twice a year to be rechecked and to date there has been no reoccurrence. I’m told that the chances of it returning are rare and should it show up again it is treatable.

While spending several months recuperating from the surgery, I decided that there was no time to worry about cancer and its potential return.  I had no time to feel sorry for myself or the events in my life that had brought me to this moment. I wanted a new a perspective on how to proceed through the rest of my days. Life has been hard and cruel at times and I still bear the scars of child abuse. I’ve struggled with depression, extreme anxiety and spent years thinking of myself as broken and unfit. I learned about and began to accept that I’m an HSP, or a highly sensitive person. Whatever the cause, whether genetic or learned over time, I am an introvert, who has continuously tried to be the extrovert that I thought everyone expected me to be.  I was constantly at war with myself, feeling unworthy of the good things in my life, wondering what was wrong with me, and why I couldn’t reach my unthinkable dream of being just like everyone else.  In a word, Normal.

My cancer has given me a second chance at life. With the help of a therapist whose specialty was treating trauma, I had already begun the journey.  There was much healing to be done, both from the surgical standpoint and from years of blaming, hating, and abusing myself, because I was different and didn’t seem to fit in anywhere.

I can say with confidence that the most effective part of the healing process has been my memoir writing and allowing myself to relive certain aspects of life.  It has been difficult, but I’ve also discovered the many joyful times I spent with my parents, who unable to cope with their own lives, abused me and my brothers.  I’m learning about forgiveness. I’m learning to love myself and that I am worthy, and a good person.

I’m still at work on my memoir and cannot say how long it will take me to finish it. I need time to navigate through my memories and often need to take breaks between the intense chapters in order to reground myself. Being able to laugh at myself and to be joyful about my newest perceptions is constantly rewarding me.  When I’m finished writing my life and it hopefully becomes a book, I will be most happy if those who read my words will find within them, peace and a new perspective on suffering.

Are you writing a memoir or keeping a journal?  Are you finding it easy or difficult to write your stories?  Do you feel that writing about your life is an opportunity to heal the most painful parts of your journey? 

Change

Looking out my kitchen window, I notice the leaves on the dogwood in my neighbor’s yard are no longer their deep summer green.  They are blotched with spots of rusty-red and the tree’s tiny berries are beginning to blush.  It’s late August.  In a bit over a week it will be Labor Day and though the earth’s rotation around the sun won’t yet proclaim it to be autumn, there is an overwhelming and unmistakable feeling that summer is indeed over.  I call this time of year, Late Summer, a season unto itself.  It overlaps both summer and fall, and unlike spring, which pushes itself headlong into the heat, this season holds back, hesitating, as though it cannot make up its mind as to which direction to take. It brings us the warm spells we call Indian Summer, along with chilly days when I wrap myself in a sweater and don socks to keep my feet warm.  Evenings can be frosty and most nights I cover the houseplants that are still thriving outdoors during daylight hours.

I’ve been noticing small daily changes for several weeks now.  A brilliant red leaf on the stairs outside my studio has given away the slow shift of seasons. I look up and down the street for its origin, but can’t find the tree that has sent it my way. The days are shorter and the afternoon light has taken on a soft, golden glow as the sun steadily sinks a bit more to the south each day.  Shadows extend themselves as if stretching before settling in for a nap. The nights are crisp. I sleep with windows wide open, welcoming fresh air and the sounds of night into my room.  Every weekday morning at eight-fifteen sharp, I listen for the laughter of children as they gather just down the street, waiting for the yellow bus that will whisk them away to school.  I’ve missed their voices all summer and welcome back this joyous morning sound.

This is my very favorite time of year.  Spring is always absolutely gorgeous and the color is breathtaking here in Central Virginia, but it only leads to the sizzle of summer, which I am not a fan of.  I do love spring and in March, enjoy cleaning up the garden of its winter dreariness. I get excited as local nurseries open their doors.  I pick and choose what to add to that bit of emptiness over there, next to the day lilies. There are always places that need replanting and I am happy to do it as the energy of new life spreads across the land.

But in late summer there is a slowness that takes the place of that chaotic summer energy.  My body slows as well and by late afternoon my yawns grow wider and noisier.  I begin wanting to go to bed a little earlier than I do in summer.  And my choice in what to wear is beginning to change as well. I’m drawn to long pants versus cropped ones.  A light sweater or hoody in the early morning when I walk the dogs is now sometimes necessary.

My tiny vegetable garden still provides us with fresh tomatoes, sweet peppers and eggplant, while local apples are beginning to appear at the Farmer’s Market.  I already miss those scrumptious, juicy peaches I’ve turned into smoothies and eaten out of hand for the past few months and summer tomatoes will be gone once a hard freeze sets in.  Soon I’ll be enjoying winter squash and lots of roots roasting in a pan sprinkled with fresh chopped garlic and rosemary.  Hearty soups and stews are just around the corner. I always look forward to the peace and settled in feeling I have in October, but this year I’m having a hard time hanging on to that thought.  I’m never ready for the commercial race that will soon begin as we are coaxed into spending our money on the various holidays, stacked up like cord wood, between now and the start of the new year.  I am also not ready for the political fray that has already begun here in Virginia. We’re one of those swing states and our phones are already ringing off their hooks with calls from politicos trying to get our vote.  The local airwaves are filled with the images and words of both parties, dividing us even further, with their insulting attacks on each other. I have difficulty with negativity and this is certainly the season for it.  I will vote, as every citizen of this country should, but I’m not happy with what we have to endure in order to do so.

Despite all of that, I’m looking forward to the scent of wood smoke wafting through the evening hours as temperatures begin to drop … the crunch of falling leaves underfoot … and the continuous changes that each day brings as the season turns.  I wouldn’t be happy in a climate that always stays the same.  If we don’t have ice and snow, we can’t appreciate the warmth of June and July. And if we don’t have our sad moments, we won’t  know what happiness is.

Are you noticing the changes taking place around you?  What is your favorite season and why?  Would you be happy if everything always stayed the same?

On Winning And Losing

Peony #10, © Joan Z. Rough

Truth is best served by recognizing a viewpoint as only a viewpoint, and refraining from taking that extra step of regarding it as true to the exclusion of all other views.  In other words, all views–even correct views–are best held gently, rather than grasped firmly.  

Andrew Olendzki, Blinded by Views

I first picked up a camera in the early eighties.  Afraid of anything technical, I often asked my  husband to take photos for me. Not interested in people photos or huge, magnificent landscapes, I was drawn to the small miracles that nature had to offer in the shape of a lily or a rose.  After being told how easy it would be for me to learn how to use a camera, I took a few workshops and was hooked.

I had a background in painting and was slowly growing weary of the weaving, spinning and natural dying I’d been involved in for years.  I became fascinated by microscopic views of everything, from the powdery wings of a dead butterfly to the patterns found in rock formations.  But most of all I was drawn to flowers.  The closer I could get, the more abstract my photos became. Encouraged by family, friends and other artists, I put together a body of work. To see what would happen, I entered ten of my images into the Virginia Commission for the Arts 1989 Prize for the Visual Arts, in the category of photography.

Day lily #20, © Joan Z. Rough

In the meantime, I had recently moved to Charlottesville in 1985, which has always been a mecca for artists of every ilk, from writers, to painters, and theatre people.  In this town there is a festival for almost every genre of art.  In November we have the Virginia Film Festival, in March there is the Festival of the Book, and in May, the folks who put together the LOOK3 Festival of the Photograph, hang the work of photographers from all over the country in local galleries and outdoors, in the trees on the Downtown Mall.

As a newbie in town I went about trying to become a part of the art community.  I am an introvert and it was difficult. Afraid of my own shadow, I’d grit my teeth and go to various gatherings to meet other artists and to see what was happening. I was shy and when I opened my mouth to speak, the words often spilled out in a garble of nonsense that even I couldn’t understand.  I felt that my work was unworthy and that I had little to offer the community. Rather than push myself forward I kept myself in the shadows, being grateful for any bit of encouragement.

One evening at a gallery opening, I met an elderly man known locally for his close-up photography of insects and plants.  We started talking and he invited Bill and I to his home to see his work.  I brought some of my own images along to see if he could give me some feedback. He and his wife were friendly enough, serving us a bold red wine and a few nibbles.  They lived in a lovely home tucked into the woods and I felt that I had finally made a friend.  He showed us his Cibachrome prints, all beautiful. There was a shot of a honeybee gathering pollen, close-ups of a variety of beetles and images of flowers. All were perfect specimen shots, ideal for a coffee-table book about the garden or as illustrations in a guide to insects.  He also proudly showed us his massive collection of romance novels that he had written under a pen name.

When he asked to see my work, I brought out a dozen or so glossy cibachromes of my flower studies, so very close-up that you might not realize they were flowers. Similar in perspective to Georgia O’keeffe’s paintings, some viewers described them as resembling water colors.  There were blurry areas and sharply focused lines of the edge of a flower petal or the inner landscape of a daylily surrounded by a pool of pure, sensual color. The first words out of his mouth were, “These are not photographs. They are an abomination.”

As I remember, the conversation went down hill from there and quickly downing the remains of my wine we made a hasty exit.  Although I was somewhat used to rejections of my work as a weaver and fiber artist, I had never had anyone make a comment about my work before in that tone or in those words.  All of the people who had critiqued my visual work in the past had given me constructive suggestions and ideas on how to make my work better.  This man brought to mind my father who would often berate me for not following directions or listening to how things are to be done. This was the first time I had ever been trashed by a stranger. I was devastated, in tears and ready to roll a huge boulder to the entrance of my cave where I would hide and never come out into the light of day again.

Iris #24, © Joan Z. Rough

It took me a while to lick my oozing wound and to bring about some healing. But a few weeks later, a letter arrived from the Virginia Commission for the Arts, saying that I had been given an Honorary Mention for the 1989 Virginia Prize for Photography, by Edward Sherman, of the well-known Benin Gallery, in New York City.

Everything changed.  I went on to become a member at the McGuffey Art Center, here in Charlottesville and those photos, along with other bodies of my work,  went on to be shown individually and in one-person exhibitions in museums and galleries across the country.  And it wasn’t too many months before the phone rang, and the wife of the old guy who had trashed my work, asked me for my advise on getting her husband’s work to the attention of people outside of the community.

Despite occasionally feeling unworthy of being an artist and a writer, I’ve worked hard at not letting the views of others take me down. They are only opinions after all and if I let that happen, I would lose my very being. It’s been a hard lesson, but one of the most crucial if I am to do the work my heart brings to me.

How do you handle criticism and the views of others?  Have you ever been in a similar situation?

What Do We Need In Order To Do Our Best Work?

For me, being out in nature is one of my special needs.

Friend, writer, and teacher extraordinaire, Patti Digh wrote a great blog post a few days ago.  Writing about her daughter, Tess, who was recently diagnosed with Asperger’s Syndrome she asks the questions, “What does Tess need to succeed?  What helps her sit fully in her sun?”

Certainly these are questions that most anyone could one day wrestle with, if their own child or another family member is in need of special help in order to be successful in life. Unfortunately, we don’t ask those questions of ourselves and it is rare to hear them asked in the workplace by those who run the show. Whether or not we have a particular disability, we should all be asking ourselves these questions, as should CEOs if they expect the best work from their employees.

In reality, all of us have special needs.  Introverts need quiet and solitude to do their work.  Extroverts, on the other hand, need continuous interaction with other people in order to be comfortable in their world.  And some of us have sensitivities that can bring us too our knees.  Music that fills a room may be therapeutic to some and nothing but bruising noise to others.  If on in the background, I find the garbled messages of a television anxiety producing when I’m trying to read or am doing any activity that requires my focus and attention.

On some days I write with music playing in the background. On other days even the gentlest of instrumental sound can keep me from my quest.  I just turned off Yo-Yo Ma’s album, Obrigado Brazil, that I love and often exercise to, as I did this morning. But today in order to concentrate on writing this post, it is getting in my way.  On another day I might find it just the ticket I need in order to write or paint.  I never know, and I’m learning to listen carefully to what I need in any given situation.

As an introvert, I often need time to myself after I’ve been with large groups of people. I dislike small talk and would prefer to converse about life and philosophical issues. I do much better in intimate settings with only a few people at a time.  For me, the perfect dinner party size is six people. Good talk and good food … there’s nothing better.

Should you decide to turn on lights or make noise while I’m trying to sleep, you’re toast.  That’s why the only roommate I can tolerate is my love, Bill.  He understands and goes out of his way in order to keep me from being awakened in the middle of the night and chopping off his head :-)!

I’ve spent years trying to come to grips with my introversion and sensitivities.  Until just a few years ago, I thought that I was broken, intolerable to be around, and that most people thought I was a snob, elitist and/or beyond loony.  Certainly my parents didn’t help, with their incessant complaining about my being too sensitive as a child.  Of course, they were too, but hid it behind their iron curtains of denial.

These days, I try to be with people who tend to understand my kookiness.  They are extroverts as well as introverts. And after a recent bout of overwhelm, I’m learning again to pay attention and ask myself what I need in any given moment. Knowing that everyone has needs of his or her own helps to keep me from feeling freakish about mine.

What are your special needs?  Do you consider yourself to be extremely sensitive?  An extrovert or an introvert? We’re all different, of course.  But no one should suffer from feeling different and alone in what sometimes feels like a world gone out of control.