Painting Spring

spring-color

Water soaked grey sky
pure tones of birch
magnolia, forsythia
spring green leaves
redbud

spriing-colors-in-trees

Raindrop music
fills the air
my paint brush
drips with color

JZR

I made these photographs and wrote this poem back in April of 2008, posting it on the blog I was then tending.  I’m going back through all of the posts now and considering putting together a small e-book to repurpose some of the writing and photography I was doing at the time.

Spring, being the season of rebirth finds me also at work on a new Website and hope to have it up and running before too long.  I’ll let you know more as it progresses.  In the meantime next week will be all about getting my studio cleaned up and getting back to work on my memoir.  There are many new ideas filling my thoughts.

Practice … Practice … Practice

DSCF0277“Why is it we understand that playing the cello will require work but we relegate writing to the magic of inspiration? Chances are, any child who stays with an instrument for more than two weeks has some adult who is making her practice, and any child who sticks with it longer than that does so because she understands that practice makes her play better and there is a deep, soul-satisfying pleasure in improvement. If a person of any age picked up the cello for the first time and said, “I’ll be playing in Carnegie hall next month!” you would pity her delusion, but beginning writers all over the country polish up their best efforts and send them off to The New Yorker. Perhaps you’re thinking here that playing an instrument is not an art in itself but an interpretation of the composer’s art, but I stand by my metaphor. The art of writing comes way down the line, as does the art of interpreting Bach. Art stands on the shoulders of craft, which means to get to the art, you must master the craft.

“If you want to write, practice writing. Practice it for hours a day, not to come up with a story you can publish but because you long to write well, because there is something you alone can say. Write the story, learn from it, put it away, write another story. Think of a sink pipe filled with sticky sediment: The only way to get the clean water is to force a small ocean through the tap. Most of us are full up with bad stories, boring stories, self-indulgent stories, searing works of unendurable melodrama. We must get all of them out of our system in order to find the good stories that may or may not exist in the fresh water underneath.

“Does this sound like a lot of work without any guarantee of success? Well yes, but it also calls into question our definition of success. Playing the cello, we’re more likely to realize that the pleasure is the practice, the ability to create this beautiful sound — not to do it as well as Yo-Yo Ma, but still, to touch the hem of the gown that is art itself.”

Ann Patchett, The Getaway Car: A Practical Memoir About Writing and Life.

Books And Words As Containers

DSCF0414“If it is a human thing to do to put something you want, because it’s useful, edible, or beautiful, into a bag, or a basket, or a bit of rolled bark or leaf, or a net woven of your own hair, or what have you, and then take it home with you, home being another, larger kind of pouch or bag, a container for people, and then later on you take it out and eat it or share it or store it up for winter in a solider container or put it in the medicine bundle or the shrine or the museum, the holy place, the area that contains what is sacred, and then the next day you probably do much the same again—if to do that is human, if that’s what it takes, then I am a human being after all. Fully, freely, gladly, for the first time….

“[T]he proper fitting shape of the novel might be that of a sack, a bag. A book holds words. Words hold things. They bear meanings. A novel is a medicine bundle, holding things in a particular, powerful relation to one another and to us.” — Ursula K. Le Guin

Today not only marks the first day of spring, but also the opening of the 19th annual Virginia Festival Of The Book, where writers, books and words of all genres are shared and honored as containers of life.

On Burning My Journals

A  Journal collage and some writing.

A Journal collage and some writing.

When we decided to move from our house on the banks of the South Fork Rivanna River Reservoir almost three years ago, I was in a hurry to get out and move into a smaller place in town, rather than out in the country. We were in the midst of a cold season that was very much like a Vermont winter, with two major snowstorms and lots of cold. The first storm brought three feet of snow and the second delivered two more.  We lived on a private road and had to hire somebody to plow our road and the driveway.  I was stuck at home a lot that winter and had a serious case of Cabin Fever, which usually means depression, anxiety, and a nasty temper. Being cooped up in the house where my mother had lived with us for six and a half years, brought back the many sad and unspeakable memories I’d gathered during her time with us. All I wanted was out.

Once March came and we found the house in town that we now live in, we put the river house on the market. I began the hard work of packing up what we wanted to keep and finding homes for the rest of the stuff we would have no room for in the new house … one half the size of the one we were leaving. Hard decisions had to be made. We still had many of Mom’s belongings … things I hid in closets so that I couldn’t see them … things that reminded me of the trauma of watching her as she slowly died of lung cancer and old age.

I hadn’t yet been able to deal with all that, but clearly if I was going to move I’d finally have to put on my big girl panties and make some grownup decisions. It was much easier than I thought it would be, but then there was my studio and all of the paintings, photographs and the artist materials that I had easily stored in the river house but now had no room for in the new one.  I couldn’t decide what to do with it all.  Of course I would keep my finished work, but I was in a rush, not thinking clearly, and thought I’d just give the rest away and start over again.

The final straw that broke the camel’s back were the number of large boxes already filled with the journals I’d been keeping since I began writing them in the 80’s. I threw up my hands and felt I had to get rid of them. It was all stuff I didn’t remember writing and considered most of it, if not all of it, to be the worst writing in the world. Not only were the journals terrible to read because of my poor grammar, misspelling and the boredom rating I gave them, there were things I’d written about that I didn’t want anyone else to read, ever. I decided I’d burn them all, along with the past in the old wood stove we kept in the basement.

The day before I planned to do the deed, I was swinging back and forth between “should I or shouldn’t I burn my work.”  There were a number of paintings as well that I’d thought I’d include in the blaze, but I kept hearing a little voice in the background repeating constantly: “You’ll be sorry.”

The next morning I called my daughter to ask her opinion of what I was planning. She roared over the phone that I must not do it.  And when I finally told Bill what I had in mind, he too was of the opinion that I shouldn’t burn anything. He promised that we would rent a storage room where I could keep my artwork, boxes of journals, artist supplies and anything else I wasn’t yet sure I wanted to part with, for as long as I needed to.

A box of my journals.

A box of my journals.

Over the past few months I’ve been rereading through many of those journals as I sit and put my memoir together. They come in very handy for filling in the blanks that show up in my memory.  And I’m finding them surprisingly fun to read, despite my grammar usage and spelling mistakes. I’m so very grateful that my conscience, my daughter, and my husband, encouraged me to keep them instead of burning them, flushing them down the toilet, or any of the other juvenile things I thought of doing at the time.

Have you ever considered destroying your writings or your artwork? If you do it, know that one day you might be very angry with yourself!

Writing And Trauma

IMG_0070“Through writing, we change our relationship to trauma, for we gain confidence in ourselves and in our ability to handle life’s difficulties.  We come to feel that our lives are coherent rather than chaotic.  We see ourselves as able to solve problems rather than as beset by problems.  We enjoy a heightened sense of self.  We become more optimistic.  We recast our recovery from trauma as something we can accomplish rather than seeing our ordeal as something to be passively borne.  Writing supplants our feelings of hopelessness, helplessness, and victimization about a traumatic event.”

Louise DeSalvo, Writing As A Way of Healing